ABOUT
George Kramarski is a Colombian-born bassist whose performance career spans continents, genres, and stages—establishing him as a dynamic voice in contemporary jazz and improvised music. Based in New York City, George has emerged as a first-call bassist for artists across jazz, fusion, R&B, alternative, Latin, and Americana scenes, with an expressive style defined by rhythmic clarity, melodic inventiveness, and deep-rooted musical sensitivity.
He has performed as a lead bassist at internationally recognized venues and festivals, including The Blue Note (NY), Nublu, Williamsburg Music Center, Rockwood Music Hall, and 54 Below, as well as the Panama Jazz Festival (2019), Festival Chile Jazz por la Paz (2019), and Villa Jazz Festival (2022). His work has also been featured in UNESCO-sponsored events, including the Women Power Series (2020), where he arranged and performed music in tribute to Colombian folkloric icon and Latin Grammy winner Petrona Martínez, and International Jazz Day (2021), where he performed in honor of Grammy-winning Panamanian pianist Danilo Pérez.
George’s debut album as a bandleader, Songs of Tides and Feathers, is set to release in 2025. A deeply personal collection of original compositions and jazz tributes, the project draws on his Colombian roots and artistic background, blending them with elements of the jazz tradition and a strong sense of collective improvisation. The album reflects his global influences, narrative sensibility, and evolving compositional voice, while seeking to create a space for cultural exchange through music.
With over a decade of experience as a performer, George has shared the stage and studio with an array of celebrated musicians. His collaborations span internationally touring ensembles and rising voices across New York’s creative scene. Known for his ability to navigate complex musical environments with sensitivity and groove, he brings a strong narrative voice to every performance—whether as a sideman or fronting his own quartet.
In parallel, George contributes meaningfully to music education. He has served as an adjunct instructor and is currently an accompanist at New York University, where he also earned a Master of Music in Jazz Performance (2022–2024) and was honored with the Outstanding Achievement Award in Jazz Studies and the Steinhardt Music Talent Scholarship. At NYU, he studied with internationally acclaimed artists including Ari Hoenig and Dezron Douglas, and performed in ensembles directed by jazz legends John Scofield and Chris Potter. He has also shared the stage with some of the most respected names in jazz today, including Dave Pietro, Mike Rodriguez, Rogerio Boccato, Brad Shepik, and Alan Ferber.
He also holds a Bachelor of Music in Performance (Magna Cum Laude) from the Berklee College of Music (2015–2019), with a minor in Music Production and Engineering. At Berklee, he studied with world-class musicians including Oscar Stagnaro, Lincoln Goines, James Genus, Mike Pope, and Jason Palmer, whose mentorship helped shape his deeply rooted yet forward-thinking musical approach.
In addition to his music training, George holds a Bachelor of Science in Industrial Engineering from the Universidad de Los Andes in Bogotá—one of Colombia’s most prestigious and internationally recognized universities. His time there helped build a strong foundation in analytical thinking, discipline, and collaborative leadership that continues to enrich his work as a composer, ensemble leader, and educator.
George was selected for the Comprovisation Project in Chile (2020), led by acclaimed pianist Orion Morales, where he participated in advanced ensemble workshops and performances through a merit-based scholarship. In 2024, he was also selected—through a rigorous audition process—to represent New York University in the Costa Rica Promising Artists of the 21st Century Program, organized by the U.S. Embassy and cultural institutions throughout Costa Rica. During this tour, he performed in venues across the country, including a featured performance at the U.S. Embassy’s 4th of July Gala in San José (2024), and co-led masterclasses at national music schools and community centers—strengthening his commitment to international artistic exchange and education.
His work has been recognized by international cultural institutions and media outlets including UNESCO and El Mostrador, underscoring the cultural relevance and artistic merit of his contributions. Whether on stage, in the studio, or in the classroom, George continues to build a career rooted in collaboration, versatility, and a deep commitment to the transformative power of music.
